Showing posts with label Short Fiction. Show all posts
Showing posts with label Short Fiction. Show all posts

Thursday, 24 March 2016

Just a 1920s Country Boy Series: Episode IV

Throughout THEIR Initial WEEK in Spring Valley the boys had been challenged by yet another group of children. A large 15-year-old red-headed, freckle-faced bully confronted Billy and informed him that his name was going to be Booby Gal. Billy tried to instruct the bully in the right pronunciation of his name, but the boy would not recant. Chandler ran residence, but the other boys stayed and watched although 12-year-old Billy very easily administered a sound thumping to the significantly bigger boy and provided a comparable lesson to the other people. From then on these boys have been rapid good friends with Billy and never ever once again named him names.

These boys did have a name for Chandler, though. From then on, they known as him Chicken Gal, but by no means when Billy was inside earshot. Chandler generally ran from fights. Donny and Bert usually attempted to speak their way out of fights. Donny often changed the topic or entertained with thrilling stories, but Bert had to prove himself a handful of instances. Tiny Gene, at only three-years-of-age, was thrilled by Billy's fighting potential, so he tenaciously attempted to appear for fights. As he grew up, he in no way began fights but often welcomed them. On the other hand, as a young boy, no one wanted to take on such a Tiny tyke, and seldom did everyone want to fight Billy Gallaher's youngest and smallest brother.

Billy quickly found that the bully who'd confronted him wasn't the toughest boy in town. That honor fell to Percy Gaylord, a rapid, wiry pugilist. When Percy was only in Eighth Grade, he was feared by all the boys, even higher college little ones. So, while Percy heard around newcomer Billy, he looked all more than town. Whilst he discovered Billy, Percy asked if he believed Percy Gaylord was a sissy name. Billy, not hunting for a fight, responded with a toothy smile and a firm "No!"

"Oh, so you happen to be yella!" You know, I am not scared a you cuz the larger they are, the tougher they fall."

Billy knew, all too properly, the old saying was correct in most situations, so as he smiled once more, he compliantly proclaimed, "You are in all probability appropriate. I believe I heard that someplace."

Percy was determined to prove his capability; he was seemingly threatened by Billy's smile and affable answer, so he pushed Billy. Chandler ran household. Small Gene jumped on Percy's back. Donny and Bert pried Gene off the challenger, and Billy reluctantly continued the fight. He believed, Simply maintain moving, do not lunge, wait for him to make every move and counter. He appears stronger, but he cannot be faster than Gordon.
The bout ensued and Billy stuck to his technique. He'd been nicely-schooled by the Christianson boy back at the Lancaster College. It was a lengthy bout, but in the end Billy stood more than the Gaylord boy. Percy lastly admitted, "Billy, you are the toughest boy about right here." Following that they had been often very best buddies, and most of the time the streets of Spring Valley had been thereafter secure for Billy and his brothers.

Get a Totally free eBook on February 11th, Wednesday through the 14th, Saturday. Dismounted Liberty is my newest inventive nonfiction WW II book. It is Cost-free for download on Amazon. All I request is that you give it an sincere evaluation on Amazon.

Effortlessly click on http://www.amazon.com/Chris-Gregory/e/B00FYXT8BA

Thank you & pleased reading in 2015!

Sunday, 31 January 2016

What Makes You Think You Can Kiss Me? Part 1

Saria Nieves walked down the street to her neighborhood Hardees Restaurant. Quickly as she went in, a fuss session amongst what looked like a female employee and the manager (also female) was going on. I quit!! Mentioned the female employee even though operating out of the restaurant. Saria got a quick glimpse of the girl's name tag, Katie. She appears familiar, She believed.

Absolutely everyone's eyes turned to her. "I am sorry about that ma'am my names Kevin and it would be my honor to serve you currently, What can we get for you? Kevin belted out joyfully as if practically nothing even occurred. Saria stood there daydreaming do I even will need this job? To substantially drama, plus only 7.40 an hour portion-time? I never like that. Ma'am? Screw it I will need the dollars, She believed to herself envisioning emptying out the protected. "I am not here to order something sir, I have to have to operate here". The manager, Rachel looked up at her with desperate eyes, and Mentioned although can you get started?.. "Anytime. She replied. Be here tomorrow morning at 7:30 am and we will go from there" 7:30? Geez Louise.

As Saria proceeded to leave, Rachel handed her a flyer that Mentioned "Basketball Tournament" Atlanta, Georgia. "I normally wanted to play Ball.. how the heck did I finish up here"? When leaving the restaurant a male employee, true quick man, presented to give her a ride dwelling. "Its okay I reside ideal down the street", Be danged if I am caught in the car or truck with a midget" she believed. Absolutely everyone in the restaurant chimed in "Girl let him take you, its dark out there'!! Jeff alright"

As they pulled up to her house, household was sitting on the porch attempting to figure out what was going on. "So Jeff how do you like operating at Hardees?, Saria asked. "It is okay, he replied searching at her with demonic thirst in his eyes. Awkward silence and tension filled the air, so she told him goodbye. Jeffrey upset trigger she was about to leave, aggressively attempted to plant a stale kiss on her! Breath reeking of cigarettes and tongue sticking out his mouth! "You MOTHA... !!!" Feeling no remorse Saria stabbed and reduce at him repeatedly! "AHHHHHH! Jeffrey yelled out in discomfort!". The cries stopped. Jeffrey Clemins was DEAD. Leaving behind a sickly wife and two kids a girl and a boy.

Whilst there was absolutely nothing left of Jeffrey to dice, Saria screamed out to her household, holding his bloody lips in her hand.. "DINNERS ON ME!" Robbing Jeffrey Out OF Every thing He Had.

https://intelligentweirdo.wordpress.com/

Tuesday, 26 January 2016

Coach On The Rez Series, Episode II

WITH THE STUDENT body's anticipated interest for subsequent year standing at seven football players, 5 volleyball players, and 3 boys and 4 girls for basketball, the Bobcats appeared to be completed when it came to sports. The student enrollment was becoming so low, even the potential to retain higher college status was in query.

The program for subsequent year was to combine sports applications with their cross-mountain Colville Reservation rival. The San Poil uniforms have been the colors green and white, the Arrow Lakes colors had been green and gold; a new Arrow Lakes-San Poil cooperative sports plan may possibly hopefully combine these colors, and just possibly the Archers may possibly come to be the Archer Cats.

That is what the group were pondering and discussing earlier in the evening as they wound their way up a dark Highway 21, across Bridge Creek and more than Huckleberry Mountain. They believed their little ones would be fine and, just perhaps, the larger college may use their coach also. Their hopes have been sturdy and every single particular person in the van had a vested interest in the proposed mixture: the children!

Capable let off the accelerator as they rounded a corner and, in plain view ahead of them, a mountain lion gradually crossed the highway. The large cat stopped, glanced more than its shoulder and, with no urgency, the cougar moved on. It was in no hurry and did not appear to be afraid of something. Mr. Graffis remarked, "Hey, a cougar crossing our path - That is superior luck!"

Bear responded, "Not if you happen to be a white-tail or just about any other game animal in the forest!"

But on the way back from the joint-board executive session, Doc Ford, the San Poil board chair, explained it as he saw it. "Appear, just amongst these 5 directors, they will likely have 5 boys and 4 girls on subsequent year's varsities. They never want our little ones to beat them out of beginning positions... "

"... or take playing time away from their kiddos." Kathy Kamiak chimed in. "I guess they welcome the numbers for football and volleyball, and it will not even come close to bumping them up to 2B status, but they will have to've had guarded hopes for their kiddos in basketball."

Abruptly, out of the darkness, anything hit the windshield with a heavy thump! It bounced off with no harm to the shatter-proof glass window. "Wow, that was significant, was it a kokulk, a blue grouse?" queried a startled Storey Whitelaw.

In a position answered, "Oh, no, I assume it was an owl, judging by the size, I'd say it should a been one a these superior-horned owls; took my breath away... possibly broke the wiper, but we're okay."

The reviewer has authored two books below the pen name of Chris Gregory. Buckshot Pie is offered in hardcover, paperback, and Kindle format on Amazon. Too Dismounted Liberty, of the inventive non-fiction Globe War II genre, is offered in Kindle Edition, each at http://www.amazon.com/Chris-Gregory/e/B00FYXT8BA/ref=ntt_athr_dp_pel_1

Please assume each those books. Thank you and may possibly God bless.

Sunday, 18 October 2015

The Book Thief by Markus Zusak - A Review

I was apprehensive around reading this YA novel as it has been quite a few years due to the fact I have read one particular, obtaining due to the fact gravitated to additional adult and literary novels, and I did not will need to judge it from the "literary snob's" point of view. So I guess my comments will need to be appreciated in that light.

The premise is exciting: the war viewed from the point of view of Germans, each these loyal and these disapproving of Hitler. Not all Germans have been Jew-hating xenophobes, however all German's paid the price tag for the Fuhrer's megalomania. The narrator is even additional exciting: Death, who is overworked and exhausted from the sheer quantity of souls he has to extract out of the war's carnage and take over to the other side.

The story centres about an orphan German girl, Liesel, who is raised by a compassionate and sort property painter and anti-Nazi, Hans Hubermann and his equally compassionate yet brusque wife, Rosa. Liesel is viewed as "slow" in college yet teaches herself to read by stealing books from the most uncommon areas, at a time when books have been getting burned by the Nazis. She even befriends the taciturn Mayor's wife, who encourages Liesel to read and enables her to steal from the secret library in the mayoral property. Hans encourages Liesel in her quest for literacy by reading the stolen books with her, usually late at evening when Rosa is asleep. The family members assists a Jew, Max, looking for refuge from the Nazis. Max lives in his hosts' basement for virtually two years, putting the Hubermans in danger. Throughout that period an unspoken really like develops in between Liesel and Max, expressed only in illustrated stories written by the latter on painted-over pages of Mein Kampf. Leisel is pursued by her college mate Rudy-who runs quicker than Jesse Owen-who would appreciate absolutely nothing far better than to kiss her, yet she denies him this privilege, significantly to her later disappointment. Shades of Anne Frank's Diary abound, albeit from the German viewpoint. Liesel quickly graduates from reading stolen books to writing her life story, just enjoy Anne did.

The story moves really gradually towards its inevitable climax and is much more a chronicle of 3 years in the life of Liesel, without having a powerful narrative arc. With Death as the narrator, we are forewarned of the inevitable tragedy to befall the Hubermans and their neighbours. And forewarned is an understatement for Death continues to give us chunks of advance details-contact it foreshadowing on steroids-on what is going to occur to all those characters, which I discovered irritating. If Death was in search of to add a shock impact to my reading encounter, he failed.

Regardless of inventive devices such as bold indented notices littering both chapter to give us sudden bursts of new information and facts or make side comments, and the making use of of Max's cartoon photos for relief, I located the clipped paragraphs, the one particular line sentences, and the sentimentality oozing out of the tragedy to be a bit overwhelming at occasions. Maybe a younger audience may come across this style extra engaging. And but to counterbalance this overdone remedy, there is good imagery: inmates' gas chamber experiences, civilians under aerial bombardment, the Dachau-bound Jewish prisoners reacting to a piece of bread identified on the street, Rosa sitting for hours with her absent husband's accordion, the distraction that reading a book aloud inside an air-raid shelter brings to its cramped occupants, and Max "stealing stars from the sky" when he sees the outdoors planet immediately after months of living shut away in the Huberman's basement. It is clear that not only despots love Saddam and Gaddafi drop bombs on innocent civilians, the Allies did their fair share of collateral harm when they bombed German cities Through WWII.

We know how factors are going to end, badly for all, Germans and Jews alike. There is tiny hope in this book. Even Liesel who lives to a ripe old age right after the war, is left an empty husk. Despite the fact that she is re-united with Max following Hitler is defeated, it is not clear what became of their future connection. Probably this aspect may were created additional at the expense of wading in lot of unnecessary sentimentality.

The lasting impression left on me by this book was not just that war is a futile endeavour - quite a few books had been written around that - yet that the power of words surpasses death. The book thief steals books to understand, then destroys her life story due to the fact she is incensed with the power of words, in their potential to destroy; following all, Hitler had applied words to dazzle and blind his persons into after his mad dream. However our narrator Death rescues her story from the trash pile due to the fact he knows that Liesel's words are far more sturdy than he is-a different robust image!

Shane Joseph is the author of 3 novels and a collection of quick stories. His work Soon after the Flood won the very best futuristic/fantasy novel award at the Canadian Christian Writing Awards in 2010. His brief fiction has appeared in international literary journals and anthologies. His newest novel The Ulysses Man has just been released. For information and facts see http://www.shanejoseph.com

Friday, 16 October 2015

Science Fiction Book Review - Themes From Asimov's Robot Series

I not too long ago study I, Robot, a collection of quick stories written by Isaac Asimov in 1950's. The film that came out a handful of years ago with the very same title was loosely primarily based upon some of the themes from the stories, but did not stick to any distinct plot in the stories. Even though I did get pleasure from the film, it failed, in my opinion, to capture the depth of the original writing and and themes Asimov was attempting to communicate. Asimov's physique of perform is regarded a pillar of science fiction, and his Robot Series is some of his ideal operate. If you have not study it, I very advocate that you do. And if you never want me to spoil it for you, cease reading now.

I, Robot tells the story of the creation of a robotic race, for lack of a greater term, designed First as a perform force for men and women, and the troubles that arise as this race integrates into humanity. For security, every single robot is programmed with 3 simple laws,

  1. A robot may possibly not injure a human getting or, by means of inaction, permit a human getting to come to harm.
  2. A robot should obey any orders offered to it by human beings, except exactly where such orders would conflict with the Initial Law.
  3. A robot should shield its personal existence as lengthy as such protection does not conflict with the Initial or Second Law

The general plot of the stories discover how numerous robots, as they turn out to be much more sophisticated, interpret those Laws, and how these interpretations impact the globe. As the stories close to the finish, a couple of humans understand robots have assumed much more and extra manage over the globe, politically and economically. Every thing has turn out to be much more effective. Improved guidelines. Much less poverty. The planet is really a far better location, simply because robots have come to be far a lot more sophisticated, and are Much less corrupt than humans. In 1 of the final scenes, it is revealed that the robots have accomplished this on goal, for the sole objective of fulfilling the Initially Law. They have taken manage simply because they know humans are much better off in their hands than our personal. Even so, they Visit great lengths to hide the truth that they have taken handle, for the reason that our awareness of our loss of manage would injure us emotionally, and that would be a violation of the Initial Law. In essence, humans may possibly do not know they have been not in manage.

This is why Asimov is a genius. He understood anything profound about humanity. It appears we would rather run our personal lives, even if we know its not the most effective life attainable.

If you happen to be a parent, you have possibly utilised the phrase "This is for your personal excellent". This phrase is generally followed by the parent producing the youngster do one thing they never want to do, like consuming vegetables. The kid possibly understands that the parent is appropriate, even if they never realize why. But they will fight as extended as they can. Why? Simply because they are becoming developed to do it. They are fighting for manage, even if maintaining that handle implies facing otherwise avoidable discomfort and difficulty later.

In various approaches, we do not develop up. I nonetheless discover this theme in my personal life. I grasp for manage and fight to comprehend issues that are frequently totally beyond me. I know I do not have the wisdom or understanding to call the shots in my personal life, but maintain performing it anyway. I know what it implies to trust and see Although undertaking so would advantage my life, but nevertheless obtain it difficult to bring myself to do it. I tend to be substantially much more prepared to do one thing Though it is my idea.

This is what designed Asimov great. In those stories, he chose to use robots to examine the human situation. He wove creativity and insight into very fascinating, entertaining stories that challenged us to believe.

- Jerran Wolf is a science fiction author and a fan of all kinds of sci-fi. Go to http://jerranwolf.com to study far more of his thoughts on science fiction books and films.

Phenibut: An Effective Alternative to Antidepressants?

All of us acquire the blues, really feel down in the dumps, or just really feel sad from time to time. That is what it implies to be a human becoming. We react and respond to life's up and downs as they inevitably happen. Yet Though we are beset by persistent and intense feelings of despondency, helplessness, hopeless, even worthlessness, the concern may possibly be far more one thing additional than sadness. It may well be a significant mental disorder that affects our capacity to role generally for days, weeks, even years at a time!

According to the American Psychiatric Association (APA), depression impacts almost One particular in ten U. S. adults each and every year. However in spite of its prevalence and seriousness, only about half of these diagnosed with the disorder acquire the remedy they have to have. Why is this? One particular clear cause is that some of those sufferers can not stomach traditional remedy solutions.

The Dangers of Antidepressants

In addition to a laundry list of critical side effects that involve nausea, fatigue, dizziness, blurred vision, and anxiousness, most prescription antidepressants are not only hugely addictive, However also toxic. According to the Centers for Illness Handle and Prevention (CDC), those preferred tablets have been accountable for 18 % of prescription drug overdose deaths in the United States in 2010. It really is no wonder some depression individuals eschew those potentially risky drugs altogether.

Yet even if prescription tablets are not the answer, neither is ignoring the concern. While depressive episodes might come and go, the frequency and severity of symptoms have a tendency to boost over time. With no therapy, a lot of who suffer from occasional bouts of depression in their younger years create chronic or clinical depression as they age. A far much more severe mental affliction, clinical depression is now the top result in of disability in the U. S. for ages 15-44.

What is Phenibut?

Found in the Soviet Union in the 1960s, phenibut is a neuropsychotropic drug that mimics the effects of a brain chemical referred to as gamma-aminobutyric acid (GABA). The chief inhibitory neurotransmitter in human beings, GABA assists Handle neuronal excitability all through the nervous program. Like the brain chemical from which it was derived, phenibut also produces feelings of calm that may possibly quell errant anxiety and anxiousness.

Sold as a prescription medication in Russia and an over-the-counter dietary supplement everywhere else, phenibut is regarded a nootropic due to the fact it has cognitive enhancing effects. With that stated, most of the testing that has been completed on the drug has demonstrated its efficacy as an anxiolytic, or anxiousness-relieving medication. Due to the fact its mechanism of action is understood, due to the fact it mirrors these of a identified brain chemical (GABA), phenibut is regarded the most helpful anxiolytic of the nootropic drug class.

How it performs

Our brains are loaded with billions upon billions of protein molecules that acquire and respond to chemical signals. Referred to as receptors, these that respond to the neurotransmitter GABA come in two classes: GABAa and GABAb. As a derivative of the naturally-occurring brain chemical, phenibut is able to cross the blood-brain barrier and act as a GABA-mimetic on each classes of receptors, Yet mostly at GABAb. The calming effect of this action assists relieve anxiety, anxiousness, worry, and may well even boost sleep. For those motives, It's broadly prescribed to neurotic sufferers in Russia.

Phenibut for Depression

As we stated at the outset, everyone gets sad or upset from time to time. However the explanation depression is distinctive, the explanation It really is a health-related situation alternatively of a short-term mood or state of thoughts is due to the fact it produces chemical imbalances in the brain. Decades or analysis and numerous research have established that depressed sufferers have reduced levels of dopamine in their bodies. A helpful neurotransmitter that plays an critical function in reward-motivated behavior, these with a dopamine deficiency typically expertise bouts of low power, lack of motivation, hopelessness, and despondency. In other words, they really feel depressed. Mainly because it stimulates dopamine receptors, phenibut aids acquire our brains back on track While dopamine falls beneath healthful levels.

Who need to take it?

Phenibut gained frequent acceptance in Russia due to its association with the Soviet space method. Simply because cosmonauts required a drug that would help alleviate anxiety and anxiousness With no adversely affecting efficiency, they may possibly not use traditional tranquilizers. Soon after years of intense, exhaustive testing, medical doctors chosen phenibut as a replacement due to the fact it has none of the adverse side effects of other anti-anxiousness drugs.

In Russia, phenibut is made use of to treat all the things from alcoholism to irregular heartbeat and post-traumatic pressure disorder. Outdoors of Russia, the drug is sold as an nootropic that has established anxiolytic properties. While the claim that phenibut can boost cognitive part calls for far more analysis, It really is not inconceivable that the drug may well boost mental clarity. In other words, it will not generate you smarter; Yet by minimizing symptoms of social anxiousness, it may produce it a lot easier to concentrate on the process at hand. With that mentioned, phenibut is a borderline nootropic, at most effective. It really is verified mechanism of action benefits in anxiousness reduction, which is why the drug is utilised for these purposes in Russia, where it was invented and initially tested.

More Investigation

For the millions that suffer from critical depression, phenibut is a promising alternative to antidepressants. Mainly because It really is a derivative of a naturally-occurring brain chemical, it does not carry with it the significant side effects of a lot of antidepressants. As far as we know, there have not been any overdose deaths connected with the drug, either in Russia or Outdoors of it. Of course, that does not imply that phenibut is innocuous; It really is A single of the most productive anxiolytics at present offered With no a prescription.

For these that struggle with anxiousness and/or depression, phenibut should really only be taken if authorized by a doctor. Symptoms of withdraw and tolerance had been reported, which is why a lot of individuals cycle on and off the drug as necessary. Everyday usage is commonly not encouraged, even for these that suffer from clinical depression and/or serious anxiousness issues.

Conclusion

A effective anxiolytic that has been shown to stimulate dopamine receptors in the brain, phenibut could offer peace and calm to these that struggle with depression. Even though far more analysis is unquestionably necessary, the drug does seem to produce a feeling of nicely-getting and satisfaction that are constant with enhanced levels of dopamine in the physique. As such, the supplement may well benefit these that are plagued by chronic pressure, which could be a precursor to depression.

Brandon Kamins is a brief fiction and freelance writer. He writes about tension and anxiousness remedy solutions. To read additional alternatives to those common issues, click here.

Thursday, 15 October 2015

Langston Hughes - The Life, Times, Works as Well as Impact of a Versatile African-American Writer

Langston Hughes stands as a literary and cultural translation of the political resistance and campaign of black consciousness leaders such as Martin Luther King to restore the rights of the black citizenry thus fulfilling the ethos of the American dream, which is celebrated universally every year around February to April.

Hughes' overriding sense of a social and cultural purpose tied to his sense of the past, the present and the future of black America commends his life and works as having much to learn from to inspire us to move forward and to inform and guide our steps as we move forward to create a great future.

Hughes is also significant since he seems to have conveniently spanned the genres: poetry, drama, novel and criticism leaving an indelible stamp on each. At 21 years of age he had published in all four (4) areas. For he always considered himself an artist in words who would venture into every single area of literary creativity, because there were readers for whom a story meant more than a poem or a song lyric meant more than a story and Hughes wanted to reach that individual and his kind.

But first and foremost, he considered himself a poet. He wanted to be a poet who could address himself to the concerns of his people in poems that could be read with no formal training or extensive literary background. In spite of this Hughes wrote and staged dozens of short stories, about a dozen books for children, a history of the National Association for the Advancement of Coloured Peoples (NAACP), two volumes of autobiography, opera libretti, song lyrics and so on. Hughes was driven by a sheer confidence in his versatility and in the power of his craft.

Hughes" commitment to Africa was real and concretized in both words and deeds. The fact of his Negro-ness (though light-complexioned) has aroused in him a desire to challenge those from the other side of the color line that reject it:

My old man's a white old man

And my old mother's black

My old ma died in a fine big house

My mad died in a shack

I wonder where I'm gonna die

Being neither white nor black?

His search for his roots was given impetus when in 1923 Hughes met and heard Marcus Garvey exhort Negroes to go back to Africa to escape the wrath of the white man. Hughes then became one of the poets who thought they felt the beating of the jungle tom-toms in the Negroes' pulse. Their verse took on a nostalgic mood, and some even imagined that they were infusing the rhythms of African dancing and music into their verse like we could sense in the reading of this poem: 'Danse Africaine':

The low beating of the tom toms,

The slow beating of the tom toms,

Low ...slow

Slow ...low -

Stirs your blood.

Dance!

A night-veiled girl

Whirls softly into a

Circle of light.

Whirls softly ...slowly,

Born in Joplin, Missouri in 1902, Hughes grew up in Lawrence, Kansas and Lincoln, Illinois, before going to high school in Cleveland, Ohio in of which places, he was part of a small community of blacks to whom he was nevertheless profoundly attached from early in his life. Though descending from a distinguished family his infancy was disrupted by the separation of his parents not long after his birth. His father then emigrated to Mexico where he hoped to gain the success that had eluded him in America. The color of his skin, he had hoped, would be less of a consideration in determining his future in Mexico. There, he broke new ground. He gained success in business and lived the rest of his life there as a prosperous attorney and landowner.

In contrast, Hughes' mother lived the transitory life common for black mothers often leaving her son in the care of her mother while searching for a job.

His maternal grandmother, Mary Langston, whose first husband had died at Harpers Ferry as a member of John Brown's band, and whose second husband (Hughes's grandfather) had also been a militant abolitionist. instilled in Hughes a sense of dedication most of all. Hughes lived successively with family friends, then various relatives in Kansas.

Another important family figure was John Mercer Langston, a brother of Hughes's grandfather who was one of the best-known black Americans of the nineteenth century.

Hughes later joined his mother even though she was now with his new stepfather in Cleveland, Ohio. At the same time, Hughes struggled with a sense of desolation fostered by parental neglect. He himself recalled being driven early by his loneliness 'to books, and the wonderful world in books.' He became disillusioned with his father's materialistic values and contemptuous belief that blacks, Mexicans and Indians were lazy and ignorant.

At Central High School Hughes excelled academically and in sports. He wrote poetry and short fiction for the school's literary magazine and edited the school year book. He returned to Mexico where he taught English briefly and wrote poems and prose pieces for publication in The Crisis the magazine of the NAACP.

Aided by his father, he arrived in New York in 1921 ostensibly to attend Columbia University but really it was to see Harlem. One of his greatest poems, "The Negro Speaks of Rivers" had just been published in The Crisis. His talent was immediately spotted though he only lasted one year at Columbia where he did well but never felt comfortable.

On campus, he was subjected to bigotry. He was assigned the worst dormitory room because of his color. Classes in English literature were all he could endure. Instead of attending classes which he found boring he would frequent shows, lectures and readings sponsored by the American Socialist Society. It was then that he was first introduced to the laughter and pain, hunger and heartache of blues music. It was the night life and culture that lured him out of college. Those sweet sad blues songs captured for him the intense pain and yearning that he saw around him, and that he incorporated into such poems as "The Weary Blues".

To keep himself going as a poet and support his mother, Hughes served in turn as: a delivery boy for a florist; a vegetable farmer and a mess boy on a ship up the Hudson River. As part of a merchant steamer crew he sailed to Africa. He then traveled the same way to Europe, where he jumped Ship in Paris only to spend several months working in a night-club kitchen and then wandering off to Italy.

By 1924 his poetry which he had all along been working on showed the powerful influence of the blues and jazz. His poem "The Weary Blues" which best exemplifies this influence helped launch his career when it won first prize in the poetry section of the 1925 literary contest of Opportunity magazine and also won another literary prize in Crisis.

This landmark poem, the first of any poet to make use of that basic blues form is part of a volume of that same title whose entire collection reflects the frenzied atmosphere of Harlem nightlife. Most of its selections just as "The Weary Blues" approximate the phrasing and meter of blues music, a genre popularized in the early 1920s by rural and urban blacks. In it and such other pieces as "Jazzonia" Hughes evoked the frenzied hedonistic and glittering atmosphere of Harlem's famous night-clubs. Poetry of social commentary such as "Mother to Son" show how hardened the blacks have to be to face the innumerable hurdles that they have to battle through in life.

Hughes' earliest influences as a mature poet came interestingly from white poets. We have Walt Whitman the man who through his artistic violations of old conventions of poetry opened the boundaries of poetry to new forms like free verse. There is also the highly populist white German Émigré Carl Sandburg, who as Hughes' " guiding star," was decisive in leading him toward free verse and a radically democratic modernist aesthetic

But black poets Paul Laurence Dunbar, a master of both dialect and standard verse, and Claude McKay, the black radical socialist an emigre from Jamaica who also wrote accomplished lyric poetry, stood for him as the embodiment of the cosmopolitan and yet racially confident and committed black poet Hughes hoped to be. He was also indebted to older black literary figures such as W.E.B. Dubois and James Weldon Johnson who admired his work and aided him. W.E.B. Dubois' collection of Pan-Africanist essays Souls of Black Folks has markedly influenced many black writers like Hughes, Richard Wright and James Baldwin.

Such colour-affirmative images and sentiments as that in "people": The night is beautiful,/So the faces of my people and in 'Dream Variations: Night coming tenderly,/ Black like me. endeared his work to a wide range of African Americans, for whom he delighted in writing,.

Hughes had always shown his determination to experiment as a poet and not slavishly follow the tyranny of tight stanzaic forms and exact rhyme. He seemed, like Watt Whitman and Carl Sandburg, to prefer to write verse which captured the realities of American speech rather than "poetic diction", and with his ear especially attuned to the varieties of black American speech.

"Weary Blues" combines these various elements the common speech of ordinary people, jazz and blues music and the traditional forms of poetry adapted to the African American and American subjects. In his adaptation of traditional poetic forms first to jazz then to blues sometimes using dialect but in a way radically different from earlier writers, Hughes was well served by his early experimentation with a loose form of rhyme that frequently gave way to an inventively rhythmic free verse:

Ma an ma baby

Got two mo' ways,

Two mo' ways to do de buck!

Even more radical experimentation with the blues form led to his next collection, Fine Clothes to the Jew. Perhaps his finest single book of verse, including several ballads, Fine Clothes was also his least favourably welcomed.

Several reviewers in black newspapers and magazines were distressed by Hughes' fearless and, 'tasteless' evocation of elements of lower-class black culture, including its sometimes raw eroticism, never before treated in serious poetry.

Hughes expressing his determination to write about such people and to experiment with blues and jazz wrote in his essay "The Negro Artist and the Racial Mountain." Published in the Nation in 1926

'We younger artists...intend to express our individual dark-skinned selves Without fear or shame. If white people are pleased we are glad. If they Are not, it doesn't matter. We know we are beautiful, And ugly too.'

Hughes expressed his determination to write fearlessly, shamelessly and unrepentantly about low-class black life and people inspite of opposition to that. He also exercised much freedom in experimenting with blues as well as jazz.

The tom-tom cries and the tom-tom laughs. If coloured people are pleased we are glad. If they are not their displeasure doesn't matter either. We build our temples for tomorrow, strong as we know how and we stand on top of the mountains, free within ourselves.

With his espousal of such thoughts defending the freedom of the black writer Hughes became a beacon of light to younger writers who also wished to assert their right to explore and exploit allegedly degraded aspects of black people. He thus provided the movement with a manifesto by so skillfully arguing the need for both race pride and artistic independence in this his most memorable essay,

In 1926 Hughes returned to school in the historically black Lincoln University in Pennsylvania where he continued publishing poetry, short stories and essays in mainstream and black-oriented periodicals

In 1927 together with Zora Neal Hurston and other writers he founded Fire a literary journal devoted to African -American culture and aimed at destroying the older forms of black literature. The venture itself was short-lived. It was engulfed in fire along with its editorial offices.

Then a 70 - year old wealthy white patron entered his life. Charlotte Osgood Mason, who started directing virtually every aspect of Hughes' life and art. Her passionate belief in parapsychology, intuition and folk culture was brought into supervising the writing of Hughes' novel: Not Without Lauqhter in which his boyhood in Kansas is drawn to depict the life of a sensitive black child, Sandy, growing up in a representative, middle-class.mid-western African-American home.

Hughes' relationship with Mason came to an explosive end in 1930. Hurt and baffled by Mason's rejection, Hughes used money from a prize to spend several weeks recovering in Haiti. From the intense personal unhappiness and depression into which the break had sunk him.

Back in the U.S., Hughes made a sharp turn to the political left. His verses and essays were now being published in New Masses, a journal controlled by the Communist Party. Later that year he began touring.

The renaissance which was long over was replaced for Hughes by a sense of the need for political struggle and for an art that reflected this radical approach. But his career, unlike others then, easily survived the end of that movement. He kept on producing his art in keeping with his sense of himself as a thoroughly professional writer. He then published his first collections, the often acerbic and even embittered The Ways of White Folks.

Hughes' main concern was now, the theatre. Mulatto, his drama of race-mixing and the South was the longest running play by an African American on Broadway until Lorraine Hansberry's A Raisin in the Sun appeared in the 1960's. His dramas - comedies and ramas of domestic black American life, largely - were also popular with black audiences. Using such innovations as theatre-in-the-round and invoking audience participation, Hughes anticipated the work of later avant-garde dramatists like Amiri Baraka and Sonia Sanchez. In his drama Hughes combines urban dialogue, folk idioms, and a thematic emphasis on the dignity and strength of black Americans.

Hughes wrote other plays, including comedies such as Little Ham (1936) and a historical drama, Emperor of Haiti (1936) most of which were only moderate successes. In 1937 he spent several months in Europe, including a long stay in besieged Madrid. In 1938 he returned home to found the Harlem Suitcase Theater, which staged his agitprop drama Don't You Want to Be Free? employing several of his poems, vigorously blended black nationalism, the blues, and socialist exhortation. The same year, a socialist organization published a pamphlet of his radical verse, "A New Song."

With the start of World War II, Hughes returned to the political centre. The Big Sea, his first volume of his autobiography work with its memorable portrait of the renaissance and his African voyages written in an episodic, lightly comic style with virtually no mention of his leftist sympathies appeared.

In his book of verse Shakespeare in Harlem (1942) he once again sang the blues. On the other hand, this collection, as well as another, his Jim Crow's Last Stand (1943), strongly attacked racial segregation.

In poetry, he revived his interest in some of his old themes and forms, as in Shakespeare in Harlem (1942).the South and West, taking poetry to the people. He read his poems in churches and in schools. He then sailed from New York for the Soviet Union. He was amongst a band of young African-Americans invited to take part in a film about American race relations.

This filmmaking venture, though unsuccessful, proved instrumental to enhancing his short story writing. For whilst in Moscow he was struck by the similarities between D. H. Lawrence's character in a title story from his collection The Lovely Lady and Mrs Osgood Mason. Overwhelmed by the power of Lawrence's stories, Hughes began writing short fiction of his. On his return to the U. S.. by 1933 he had sold three stories and had begun compiling his first collection.

Perhaps his finest literary achievement during the war came in writing a weekly column in the Chicago Defender from 1942 to 1952. the highlight of which was an offbeat Harlem character called Jesse B. Semple, or Simple, and his exchanges with a staid narrator in a neighborhood bar, where Simple commented on a variety of matters but mainly about race and racism. Simple became Hughes's most celebrated and beloved fictional creation. and one of the freshest, most fascinating and enduring Negro characters in American fiction Jesse B Simple, is a Harlem Everyman, whose comic manner hardly obscured some of the serious themes raised by Hughes in relating Simple's exploits in the quintessential "wise-fool' whose experience and uneducated insights capture the frustrations of being black in America.. His honest and unsophisticated eye sees through the shallowness, hypocrisy and phoniness of white and black Americans alike. From his stool at Paddy's Bar, in a delightful brand of English, Simple comments both wisely and hilariously on many things but principally on race and women.

His bebop-shaped poem Montage of a Dream Deferred (1991) projects a changing Harlem, fertile with humanity but in decline. In it, the drastically deteriorated state of Harlem in the 1950s is contrasted to the Harlem of the 20s. The exuberance of night-club life and the vitality of cultural renaissance has now gone. An urban ghetto plagued by poverty and crime has taken its place. A change in rhythm parallels the change in tone. The smooth patterns and gentle melancholy of blues music are replaced by the abrupt, fragmented structure of post-war jazz and bebop. Hughes was alert to what was happening in the African-American world and what was coming. This is why this volume of verse reflected so much the new and relatively new be-bop jazz rhythms that emphasized dissonance They thus reflected the new pressures that were straining the black communities in the cities of the North.

Hughes' living much of his life in basements and attics brought much realism and humanity to his writing especially his short stories. He thus remained close to his vast public as he kept moving figuratively through the basements of the world where his life is thickest and where common people struggle to make their way. At the same time, writing in attics, he rose to the long perspective that enabled him to radiate a humanizing, beautifying, but still truthful light on what he saw.

Hughes' short stories reflect his entire purpose as a writer. For his art was aimed at interpreting "the beauty of his own people," which he felt they were taught either not to see or not to take pride in. In all his stories, his humanity, his faithful and artistic presentations of both racial and national truth - his successful mediation between the beauties and the terrors of life around him all shine out. Certain themes, technical excellencies or social insights loom out.

"Slave in the Block" for example, a simple but vivid tale reveals the lack of respect and even human communication, between Negroes and those patronizing and cosmetic whites.

Hughes also took time to write for children producing the successful Popo and Fifina (1932), a tale set in Haiti with Arna Bontemps. He eventually published a dozen children's books, on subjects such as jazz, Africa, and the West Indies. Proud of his versatility, he also wrote a commissioned history of the NAACP and the text of a much praised pictorial history of black America The Sweet Flypaper of Life (1955), where he explicated photographs of Harlem by Roy DeCarava, which was judged masterful by reviewers, and confirmed Hughes's reputation for an unrivaled command of the nuances of black urban culture.

Hughes's suffered constant harassment about his ties to the Left. In vain he protested he had never been a Communist having severed all such links. In 1953 he was subjected to public humiliation at the hands of Senator Joseph McCarthy, when he was forced to appear in Washington, D.C., and testify officially about his politics. Hughes denied that he had ever been a communist but conceded that some of his radical verse had been ill-advised.

Hughes's career hardly suffered from this. Within a short time McCarthy himself was discredited. Hughes now wrote at length in I Wonder as I Wander (1956), his much-admired second volume of autobiography. about his years in the Soviet Union. He became prosperous, although he always had to work hard for his measure of prosperity. In the 1950s he turned to the musical stage for success, as he sought to repeat his major success of the 1940s, when Kurt Weill and Elmer Rice had chosen him as the lyricist for their Street Scene (1947). This production was hailed as a breakthrough in the development of American opera; for Hughes, the apparently endless cycle of poverty into which he had been locked came to an end. He bought a home in Harlem.

By the end of his life Hughes was almost universally recognized as the most representative writer in the history of African American literature and also as probably the most original of all black American poets. He thus became the widely acknowledged "Poet Laureate" of the Negro Race!

According to Arnold Rampersad, an authority on Hughes:

Much of his work celebrated the beauty and dignity and Humanity of black Americans. Unlike other writers Hughes basked in the glow of the obviously high regard of his primary audience, African Americans. His poetry, with its original jazz and blues influence and its powerful democratic commitment, is almost certainly the most influential written by any person of African descent in this century. Certain of his poems; "Mother to Son" are virtual anthems of black American life and aspiration. His plays alone... could secure him a place in AfroAmerican literary history. His character Simple is the most memorable single figure to emerge from black journalism. 'The Negro Artist and the Racial Mountain' is timeless, "it seems as a statement of constant dilemma facing the young black artist, caught between the contending forces of black and white culture'

Liberated by the examples of Carl Sandburg's free verse Hughes' poetry has always aimed for utter directness and simplicity. In this regard, is the notion that he almost never revised his work seeming like romantic poets who believe and demonstrate that poetry is a 'spontaneous overflow of emotions".

Like Walt Whitman, Hughes's great poetic forefather in America's poetry..., Hughes did believe in the poetry of Emotion, in the power of ideas and feelings that went beyond matters of technical crafts. Hughes never wanted to be a writer who carefully sculpted rhyme and stanzas and in so doing lost the emotional heart of what he had set out to say.

His poems imbued with the distinctive diction and cadences of Negro idioms in simple stanza patterns and strict rhyme schemes derived from blues songs enabled him to capture the ambience of the setting as well as the rhythms of jazz music.

He wrote mostly in two modes/directions:

(i) lyrics about black life using rhythms and refrains from jazz and

blues.

(ii) Poems of racial protest

exploring the boundaries between black and white America. thus contributing to the strengthening of black consciousness and racial pride than even the Harlem Renaissance's legacy for its most militant decades. While never militantly repudiating co-operation with the white community, the poems which protest against white racism are boldly direct.

In "The Negro Speaks of Rivers" the simple direct and free verse makes clear that Africa's dusky rivers run concurrently with the poet's soul as he draws spiritual strength as well as individual identity from the collective experience of his ancestors. The poem is according to Rampersad "reminding us that the syncopated beat which the captive Africans brought with them "that found its first expression here in "the hand clapping, feet stamping, drum-beating rhythms of the human heart (4 - 5), is as 'ancient as the world."

But what Hughes is better known for is his treatment of the possibilities of African-American experiences and identities. Like Walt Whitman, he created a persona that speaks for more than himself. His voice in "I too" for instance absorbs the depiction of a whole race into his central consciousness as he laments:

I, too, sing America

I am the darker brother.

I, too, am America.

The "darker brother" celebrating America is certain of a better future when he will no longer be shunted aside by "company". The poem is characteristic of Hughes's faith in the racial consciousness of African Americans, a consciousness that reflects their integrity and beauty while simultaneously demanding respect and acceptance from others as especially when: Nobody '/I dare Say to me, Eat in the kitchen.

This dogged resistance and optimism in facing adversity is what Hughes' life centred on.thus enabling him to survive and achieve in spite of the obstacles facing him. as Rampersad affirms:.

'Toughness was a major characteristic of Hughes' life. For his life was hard. He certainly knew poverty and humiliation at the hands of people with far more power and money than he had and little respect for writers, especially poets. Through all his poverty and hurt, Hughes kept on a steady keel. He was a gentleman, a soft man in many ways, who was sympathetic and affectionate, but was tough to the core.

Hughes's poetry reveals his hearty appetite for all humanity, his insistence on justice for all, and his faith in the transcendent possibilities of joy and hope that make room as he aspires in 'I too', for everyone at America's table.

This deep love for all humanity is echoed in one of his poems: 'My People" some lines of which were earlier referred to:

The night is beautiful,

so the faces of my people,

the stars are beautiful,

so the eyes of my people

Beautiful, also, is the sun

Beautiful also, are the souls of my people

Arnold Rampersad's last word on Hughes's humanity, is anchored on three essential attributes: his tenderness; generosity and his sense of humour.

Hughes was also tender. He was a man who lovse other people and was beloved. It was very hard to find anyone who had known him who would say a harsh thing about him. People who knew him could remember little that wasn't pleasant of him. Evidently, he radiated joy and humanity and this was how he was remembered after his death.

He loved the company of people. He needed to have people around him. He needed them perhaps to counter the essential loneliness instilled in his soul from early in his life and out of which he made his literary art.

Hughes was a man of great generosity. He was generous to the young and the poor, the needy; he was generous even to his rivals. He was generous to a fault, giving to those who did not always deserve his kindness. But he was prepared to risk ingratitude in order to help younger artists in particular and young people in general.

Hughes was a man of laughter, although his laughter almost always came in the presence of tears or the threat of the surge of tears. The titles of his first novel Not Without Laughter and a collection of stories Laughing to Keep from Crying. indicate this. This was essentially how he believed life must be faced - with the knowledge of its inescapable loneliness and pain but with an awareness, too, of the therapy of laughter by which we assert the human in the face of circumstances. We must reach out to people, and one should not only have an astounding tolerance of life's sufferings but should also exuberantly complete the happy aspect of life.

His sense of humour is again credited by a writer from Africa who was like Hughes also faced with fighting racial discrimination and deprivation, Ezekiel Mphahlele.

Here is a man with a boundless zest for life... He has an irrepressible sense of humour, and to meet him is to come face to face with the essence of human goodness. In spite of his literary success, he has earned himself the respect of young Negro writers, who never find him unwilling to help them along. And yet he is not condescending. Unlike most Negroes who become famous or prosperous and move to high-class residential areas, he has continued to live in Harlem, which is in sense a Negro ghetto, in a house which he purchased with money earned as lyricist for the Broadway musical Street Scene.

In explaining and illustrating the Negro condition in America as was his stated vocation, Hughes captured their joys, and the veiled weariness of their lives, the monotony of their jobs, and the veiled weariness of their songs. He accomplished this in poems remarkable not only for their directness and simplicity but for their economy, lucidity and wit. Whether he was writing poems of racial protest like "Harlem" and "Ballad of the Landlord" or poems of racial affirmation like' Mother to Son' and 'The Negro Speaks of Rivers,' Hughes was able to find language and forms to express not only the pain of urban life but also its splendid vitality.

Further Reading:

Gates, Henry, Louis and Mc Kay Nellie, Y. (Gen. Ed) The Norton

Anthology of African American Literature, N.W. Norton & Co; New York & London 1997

Hughes, Langston, "The Negro Artist and the Racial Mountain" 1926. Rpt

in Nathan Huggins ed. Voices from the Harlem Renaissance Oxford

University Press, New York, 1976

Mphahlele, Ezekiel, "Langston Hughes," in Introduction to African

Literature (ed) Ulli Beier, Longman, London 1967

Rampersad, Arnold, The life of Langston Hughes Vol. 1 & 11 Oxford

University Press, N. York, 1986

Trotman, James, (ed), Langston Hughes: The Man, His Art and His

Continuing Influence Garland Publishing Inc. N.

York & London 1995

Black Literature Criticism

The Oxford Companion to African American Literature., Oxford University Press,.1997

Arthur Smith was born and was schooled in Freetown, Sierra Leone. He has taught English since 1977 at Prince of Wales School and, Milton Margai College of Education. He is now a Senior Lecturer at Fourah Bay College where he has been lecturing English language and Literature for the past eight years.

Mr Smith's writings have been appearing in local newspapers as well as in various international media like West Africa Magazine, Index on Censorship, Focus on Library and Information Work. He was one of 17 international visitors who participated in a seminar on contemporary American Literature sponsored by the U.S.State Department in 2006. His growing thoughts and reflections on this trip which took him to various US sights and sounds could be read at lisnews.org

His other publications include: Folktales from Freetown, Langston Hughes: Life and Works Celebrating Black Dignity, and 'The Struggle of the Book' He holds a PhD and a professorship in English from the National Open University, Republic of Benin.

Wednesday, 14 October 2015

Bring Up The Bodies - By Hilary Mantel - A Review

This book must have been titled "Bring up the Bastards" for there are not any good people today in it.

This is the story told in the viewpoint and voice of Thomas Cromwell, or Cremuel in the vernacular of the time, King Henry VIII's "Master of All the things" a blacksmith's son who rises to come to be the energy behind the throne, the master puppeteer who manipulates absolutely everyone, like his sovereign, to feed his insecurity and keep on the treadmill of energy and privilege. In this second book in the series, it is time for Cromwell to shuffle the chairs on deck once again and get rid of the queen he installed 3 years ago, Anne Boleyn, for the reason that she is unable to make a male heir and has been rumoured to be behaving inappropriately with her courtiers, and mostly simply because she is generating him nervous with her ambition that could possibly unseat his position of influence with His Majesty. Cromwell's insecurity and need to be scandal-no cost leads him to reside a sterile life just after his wife, daughters and sisters pass away prematurely ahead of this book starts.

Henry is a playful megalomaniac, roaming the nation with his travelling court, scrounging off wealthy nobles, fancying himself a jouster but having knocked off his horse, and casting a roving eye on innocent damsels who could possibly create him an heir, recognizing complete well that his decaying physique will not co-perform. Henry justifies the removal of his wives by inventing a thing that they did incorrect and leaves Cromwell to place meat on that bone. And our Cremuel does so with marvelous manipulation; Katherine in the preceding book, and Anne in this one, and the other 3 in the subsequent books in this series that are undoubtedly to come, I am confident. Cromwell however will not final the run of Henry's wives (six in total) for history tells us that Henry got bored with his jack-of-all-trades and off'd Cremuel following wife #four soured. Yet this book comes prior to all that and focuses on the demise of wife # two, Anne: gorgeous woman of the French court, ambitious for her personal line to be element of British royalty (which she accomplished posthumously by means of her daughter Elizabeth I), supposedly guilty of several amorous affairs as Queen with none verified however all of which that supply Cromwell with grist for his executioner's mill.

For all their privilege, these royals have the hardest time procreating, testament possibly to in-breeding, higher infant mortality and the sheer stress that a birth brought on in the energy structures upholding the monarchy at the time. Females are breeders and men are schemers, and the tell-tale sign of a swelling royal belly sets several sub-plots in motion. The courtiers and court Females are a bunch of snakes, prepared to tell-tales to save their personal skin. Anne herself comes across as a cold, unsympathetic bitch and one wonders regardless of whether her fate was pre-ordained offered the stakes she played in. Her unseated rival, Katherine, is an old crone, dying in a convent, and the wannabe queen-in-waiting, Jane Seymour (pronounced Semer), is a plain, virtuous lady who will, no doubt, bore Horny Henry just after a couple of rolls in the royal sack. And on the macro level, Henry's amorous adventures produce tremors amongst his allies and enemies, notably the Holy Roman Emperor, the Roman Catholic Church, and the French court. Cromwell has to balance all these variables as he spins his internet. To his credit, he is a visionary and hopes that one day England will be a excellent socialist country exactly where the wealthy will be taxed to spend the wages of the poor.

Though there are no nice individuals here, the story circles about parties, hunts and back space meetings exactly where plots are hatched and allegiances produced and unmade, and one gets a nice really feel for the life-style, sensibilities and pre-occupations of the period. Henry's obsessive ramblings on Anne's unfaithfulness is a bit tedious, as is the author's insistence on calling Cromwell "he" all the time. Right after awhile we get our "he"s mixed up, specifically when 2 or extra male characters are in a scene collectively. Even the extra qualifier "he, Cromwell" is a clumsy compensation.

I am not certain that every twist and turn in this book is necessary yet it seems that the author is attempting to remain correct to the historical record in this rendition, and in that she has succeeded by breathing vivid life into what should be just a bunch of fraying papers reposing in the British royal archive.

Shane Joseph is the author of 3 novels and a collection of quick stories. His operate Soon after the Flood won the most effective futuristic/fantasy novel award at the Canadian Christian Writing Awards in 2010. His quick fiction has appeared in international literary journals and anthologies. His most up-to-date novel The Ulysses Man has just been released. For facts see http://www.shanejoseph.com

Tuesday, 13 October 2015

Fiction Book Review - "Top Producer" by Norb Vonnegut - Sharks and Truckers' Effect on Wall Street

The Terrific Ocean Tank at the New England Aquarium stands 4 stories higher, includes 200,00 gallons of saltwater, and homes more than 150 varietal sea creatures. 3 Sand Tiger sharks, every single possessing 3 thousand spiny teeth, prowl their habitat for prey. Enter Charlie Kelemen, a quick, portly, gregarious titan of Wall Street. Charlie throws a surprise birthday gala for his wife Samantha (aka Sam) at the Boston attraction.

He vanishes through the festivities, only to reappear under the surface of the aquarium. Charlie's arms are pre-filleted with fresh blood to attract the sharks. He's anchored with a stainless steel utility cart; gradually dragging him to demise. Shocked partygoers watch as the sharks feast. Who killed Charlie? And why? Debut author, Norb Vonnegut unites revenue and murder in Major Producer, (Minotaur, 2009).

Thirty-two-year-old Grover O'Rourke is Harvard educated and emanates his Southern-rooted gentlemanly charm. He's a Top rated producer at Sachs Kidder and Carnegie (SKC), a boutique investment firm specializing in mergers and acquisitions. Eighteen months ago, a somnolent trucker on I-95 killed his beloved wife Evelyn and 4-year-old daughter Finn. Regrets abound as he grieves their loss.

Charlie and Sam (who had been Evelyn's Wellesley College roommate) extended their home to Grover for the duration of his mourning. He's now committed to comforting Sam. He too wonders if Charlie, founder of the Kelemen Group, a dollars management firm, developed a terrible business deal to bring about his death. Grover is compelled to discover extra. His initial findings expose a contrarian profile of Charlie's public persona.

SKC associates and the Boston Police Major Charlie's murder investigation, advise Grover to keep away from his personal probe. He references Andy Warhol's common "Fifteen minutes of fame," statement. As an alternative, he believes every person will expertise his or her personal fifteen minutes of humiliation; offered today's Google-driven globe. He lives his when he discovers Charlie forged his name to an endorsement letter, encouraging close friends to invest in the Kelemen Group.

SKC declares conflict of interest and locations Grover on administrative leave till the case is resolved. He's furious that Charlie defamed his unblemished profession record. He's angry as well, that clientele really like Betty Masters, a single mother raising her Down's syndrome son, are now broke. Grover's resolve to find Charlie's killer and motive intensifies. Charlie's laptop reveals sexual and stockbroker secrets paramount to solving his intricate murder puzzle. His 1040 tax returns declaring $53,000 in annual revenue as well discredits his opulent life-style.

Vonnegut, a private wealth management specialist, describes Wall Street's quotidian antics from practical experience. Top rated producer, Patty Gershon, 43, dons quick black hair, Ferrari-red lipstick and designer pantsuits. She guidelines "Estrogen Alley," the nickname for the firm's homestead of female brokers. Grover refers to her as "Lady Goldfish." The species eat their young and Gershon is predatory in the workplace.

She's determined to collaborate with Grover on his largest client, Josef "Jumping JJ" Jaworski, CEO of Jack Oil. Grover is on guard. Terms appreciate "micro caps," and "zero-price income," authenticate Major Producer's narrative with no alienating non-market readers. You are too enveloped in New York City's affluent aura. Welcome to the planet of $175 haircuts on Manhattan's Upper East Side, and $800 horse-drawn carriage rides.

Clever techniques support solve Charlie Kelemen's murder. In the end, Grover O'Rourke transcends death and income, realizing an chance to love once more. Vonnegut's inaugural book is captivating fiscal fiction, and an intriguing behind-the-scenes appear at Wall Street. He generates higher returns on your reading investment. Check out the author on the web at http://norbvonnegut.com.

Timothy Zaun is a blogger, speaker and freelance writer. Stop by him on line at http://timzaun.com.

Sunday, 11 October 2015

Helpful Tips to Categorize Your Children's Books

Have you been holding back from writing that children's book since you weren't certain what category you want to create in or even which path to take? Following are some really useful ideas to help you in your writing aim and your choice to create that children's manuscript.

Typically speaking, and based on your objective audience, your publisher could location your book in a single of the 2 major readership categories for children's books. These category and readership definitions may possibly assist you choose and refine your manuscript.

Readership 1: Books in this readership category are meant to be read to the child.

one. The Image Book: As well termed 'notion book'; this variety is filled largely with illustrations and extremely tiny text, if any. Alphabet and Counting ideas dominate this category and are geared towards the preschool child up to the kindergarten age group.

two. The Image Story Book: This variety has quite a few illustrations and has additional text than a Image book; the distinction is that this Image story book has a story plot. The basic age group for this sort of book is kindergarten by way of 3rd grade.

3. The Board Book: This is a really quick Image book manufactured on pretty thick paper stock or cardboard like stock. This variety has no story line or idea, and is excellent for generating into a series. The age variety for this form is Infant to age two.

Readership 2: Books in this readership are meant to be read by the readers themselves.

one particular. The Quick Reader: For starting readers, this variety has extra text than illustrations. This kind of book could be divided into a handful of quick stories and is geared for the 1st and 2nd grade readers.

two. The Chapter Book: The Chapter Book is like a brief illustrated novel and is divided into quite a few chapters. Illustrations are sparse and just adequate to retain the reader interested. The age variety for this kind of book is the 2nd and 3rd grade reader.

3. The Young Non-Fiction Book: For the young non-fiction reader, this one particular is filled with factual illustrations and not also a great deal text. Insects, Plants, Animals, and Technologies dominate this sort of book. The young non-fiction is formatted in Image Book style.

four. The Middle Grade Book: This book might be performed in an array of genres. The middle grade book offers you numerous solutions to create about, it may possibly be fiction, non-fiction, and even a brief novel. This kind of book is geared for the 4th by way of 6th grade student.

five. The Young Adult Book: The young adult book as well has an array of alternatives to create in, these involve fiction, non-fiction, novel, and the brief romance novel. The aim audience for this sort of book is the 7th grade student and the larger grades.

When you are prepared to start targeting your readership audience, you will want to verify into your publisher's suggestions for manuscript lengths as these will differ on your variety of book. These basic strategies are meant to assist you refine your selection, your manuscript, and your writing ambitions for writing your children's book.

So go ahead, no additional holding back. Have exciting and love the course of action of writing YOUR children's book.

Krystalina Soash is a generalist writer and public speaker with 1 published operate, "Writing Strategies for Student Projects and New Freelance Writers" and a second perform in production: "Your Sure Prospective: Action Methods for Self-Empowerment" to be released October 2010.

You may well stop by Krystalina at http://www.yourpositivepotential.com/

The Unreliable Narrator - Analysis of the Story Emergency

The fictional and adventurous story, Emergency, is written by Denis Johnson in the 1st-particular person, and unreliable kind of narrative. Through this stimulating and fictional quick story, Dennis Johnson emphasizes the confessional nature as one particular which lacks credibility. The lack of such credibility comes in the kind of: untrustworthiness, incomplete information and facts, and hallucination, which at instances stem from the use of drugs, infantile immaturity, lies, deception, blunders, or even manipulation.

ZZ Packer states in a single of her evaluation entitled, A Conversation on Writing, "The energy of the initial-particular person point of view... is a confessional storytelling voice" (Delbanco184). She continues her evaluation by summarizing such narrative as getting primarily based on: unreliability, ignorance, individual bias, intentional deception, and even insanity current in the narration by the unreliable narrator (196). For instance, in the fictional story Emergency; Johnson starts with, "I'd been operating in the emergency space for around 3 weeks, I guess" (Inventive Writing 272). He continues, "I just began questioning...coronary care...cafeteria...searching for Georgie...he frequently stole tablets from the cabinets" (272). The confessional nature of the very first-individual "I" is apparent in this unreliable narrative point of view as the story unfolds the partnership with Georgie and the unreliable narrator.

Moreover, the incomplete nature of the unreliable story teller is related with symbolic drug use and/or abuse. The narrator states, "...Georgie, the orderly, [is] a fairly excellent buddy of mine; he normally stole tablets from the cabinets" (272). This instance shows the untrustworthiness and self-interest in the unreliable character 1st-particular person narrative. The story continues with, "Let me verify your pockets, man...I identified his stash" (Web page 273). Moreover, the confessional nature in the story indicates, "I stood about...chewing up more of Georgie's tablets. Some tasted the way urine smells, some burned, some tastes like chalk" (Web page 274). In this narrative there is a assortment of stimulating drug use and abuse. One particular could state that drug use final results in incoherent and incomplete statements from the narrator and cast excellent doubt on the credibility of the initially-particular person cognitive pondering pattern, which operates in a state of altered consciousness.

Most importantly, the medical doctors and nurses have been unable to figure out a suitable remedy program for Terrence Weber, the patient who walked into the emergency space with a knife in his eye, and alleged that his wife stabbed him in his sleep for hunting at the lady sunbathing subsequent door. Even though Georgie was completed disinfecting the patient, he returned with a seeking knife in his hand.

Apparently, Georgie had removed the knife from Weber's eye devoid of realizing the effect of his actions. The most the doctor had to say was, "Exactly where did you get that?" Furthermore, one particular nurse mentioned immediately after a quick when, "Your shoelace is untied." This gave Georgie time to place the knife down even though tying his shoelace with out a single clue of what is taking put (Web page 275).

Subsequent, the altered state of consciousness primarily based on the unreliable narrator is apparent in this dialogue, "Do you comprehend it really is going to snow? He was appropriate; a gun blue storm was shaping up. We got out and walked about idiotically...the crispness and tang of all the things green stabbing us" (Web page 277). The hallucination effects of the tablets are clear in this dialogue. Furthermore, when stumbling into a military cemetery, the characters now hunting in the sky saw angels descending with massive faces streaked with light and complete of pity, which brought on Georgie to open his arms and cried, "It really is the drive-in man! The drive-in...They are displaying films in a...blizzard." Georgie screamed. "I See, I believed it was some thing else" (Web page 278).

Primarily based on the narrative, the setting of the story is in the summer time and not winter; nevertheless, the dialogue in between Georgie and the very first-particular person unreliable narrator shifts to winter primarily based on the evaluation of hallucinatory influence from the tablets they are consuming, which shows a character flaw and an altered state of consciousness from the drugs. Certainly, there is a lack of alignment with reality and the narrator's mental state of getting with nature. The reflecting unreliability in judgment and the dialogue highlighting infantile immaturity in details concerning the present climatically situation, shows the lack of cognitive interpretation and faulty memory-therefore unreliable unfolds!

Primarily based on this narrative, one particular need to beg the question, "What story Wilson's wife will get type the unreliable narrator, relating to her husband's therapy in the Intensive Care Unit?"

Joseph S. Spence, Sr. (aka "Epulaeryu Master"), authored "The Awakened One particular Poetics" (2009), published in seven languages, "A Trilogy of Poetry, Prose and Mind for the Thoughts, Physique and Soul," and "Trilogy Moments for the Thoughts, Physique and Soul." Joseph is a Goodwill Ambassador for Arkansas, and is a US Army veteran.

[http://www.TheAwakenedOnePoetics.com/]

Saturday, 10 October 2015

Active Verbs VS Passive Verbs In Fiction

Most writers have a tendency to use as well handful of active verbs and as well lots of passive ones in their stories. Passive verbs are like telling readers what you, the author, assume is the case. They never let readers to see, assume or practical experience the scenes for themselves. Passives never pull readers into a story in an active, quick or private way. Passive verbs clarify what occurred to the character, as if the character was acted upon alternatively of getting a character who took action.

These verbs involve was, have been, had, seemed, believed, and so forth. Generally any verb whose action a reader can not visualize is likely also passive to hold a great deal effect. A further kind of passives are gerunds, which take a ordinarily active verb and adds an "-ing" to the end and begins it with a was kind verb, like was operating.

Absolutely in some cases passives are just fine. They serve a true goal - in some cases. Yet most instances an active verb will enliven a sentence. And active verbs are specifically critical in active, hot, tense scenes.

For instance, in a scene exactly where Sally is getting pursued and her car or truck abruptly dies, here are a handful of examples of verb use:

Passive Structure:

The motor went dead. Sally was scared and her hands have been shaking extra than ever as she took her hands off the steering wheel. Her thoughts was racing at a dizzying speed so that all she felt was numb.

This should really be a tense scene, Yet we have five passives with only took a likely visual act - However not also fascinating at that. By activating the verbs you build the tension we have to have:

Active Structure:

The motor died. Sally's hands shook as she snatched them off the wheel in worry. Her thoughts raced at a dizzying speed as a cold numbness threatened to steal her breath.

See how substantially additional intense this feels. We can see just about every action listed. The reader feels dizzy appropriate along with Sally. We have verbs of actions we can see or consider in some way. Readers are abruptly in the story alternatively of becoming told about it.

Verb activation is in all probability the most critical aspect of writing in general to make robust scenes. It falls below the "Show, Do not Tell" adage presented to most writers early in their writing. However most writers - though they nod wisely in agreement, totally understanding the significance in this basic strategy of activating verbs to energize their story - nonetheless slip back into the passive was trap as they write.

So be ruthless! Appear with skepticism at every single was and had been, seemed and "-ing" word. Replace them with active verbs and you will have a stronger scene.

Sandra E. Haven has had her articles and fiction published in the U.S. and Europe--from brief fiction to human interest articles, mainstream to genre. Considering that 1990 she has supplied complete editing solutions for writers and book publishers, resulting in publication for lots of authors. She specializes in complete editing, which contains content material, characterization, plot, tone and continuity. She offers in most fiction genres with an emphasis on mysteries, fantasies, and stories for youngsters too as memoirs and private essays. For much more data see Bristol Editing Solutions Copyright, Sandra E. Haven

Friday, 9 October 2015

The Sunshine of a Dream - Part I

I was walking on the street when I heard a shattering sound. Every thing about me began falling apart. Only I was standing nonetheless. It was stunning - a globe of glass breaking to pieces, and in the exact same time - disturbing, to be the only one alive to witness.

A strange globe, a strange location - I could turn my head about and see Almost everything that I wanted to see. I was like an artist. With a straightforward hand gesture or a nod of the head I could produce buildings seem or disappear. I could produce the planet finish and develop a new universe - precisely the way I wanted it to be.

I was effective. Was I a god?

A basic dream, but it was so actual, that I did not want to wake up. Only if a individual could live in such a globe - exactly where you develop All the things the way you want it to be. Exactly where you can produce every person do precisely the point you want from them. You in the center of the universe, is not it wonderful?

But I did wake up.

I was sitting in a chair. A strange old man was seeking at me. He was holding a notepad and a pen.

"Who are you?" I asked.

"You genuinely never don't forget me?" The man laughed.

"No!" As I began pondering I could not keep in mind who I was either.

"You are a funny guy! You don't did this trick on me just before, and I believed I had observed Every little thing that you can present."

The old particular person got up from his chair, went to what seemed to be an old wooden planet. He pressed a button on the side of the world, and the top rated part opened to reveal a secret compartment. In it there was a bottle of old scotch and two glasses. He got the glasses out, gave one to me, and the other place on a smaller table fitted subsequent to his chair. He opened the bottle of scotch, filled up my glass and poured some in his.

"Final time you have been here, you mentioned you had been obtaining a strange dream. Have you had it once again?"

Final time? What was this man speaking around? I could not have an understanding of. Around a million inquiries popped up in my head. Who am I? What am I undertaking here? What was this dream? Does this guy know me?

From the appears of it, he was a psychiatrist. He had modest, but sophisticated glasses, a clean shaved face and eyes, which have been building the illusion that when he appears at you, he sees ideal into your thoughts.

The space was fairly good. There have been two chairs, which had been precisely the similar, perhaps to develop the comfort of equality. Subsequent to his chair was a compact table, exactly where he had place his notebook, pen, and the glass of scotch. Every thing else in the area was quite unimportant to me - a bookshelf, a desk with a chair behind it, and a window from which you could see the entire town. It was a stunning modest town, but I could not recall Everything around it. Perhaps I grew up here? I did not know.

Every little thing seemed so gloomy. My memory was not responding, and all I could feel of exactly where daisies. Why daisies? In my thoughts there was a image of white daisies in a vase. Did they represent anything?

The old man was speaking, but I was not listening to him. I was consistently considering of the daisies. All of a sudden I felt a sharp headache. My head began hurting and as I believed tougher the discomfort was escalating. I could not stand it, and the psychiatrist seemed to have observed.

"What is incorrect Damien?" - He asked.

Was my name Damien. Ah, the discomfort! I couldn't stand it. My eyes felt like they had been bleeding. Had been they?

"It hurts!" - was all I could scream. Then my eyes closed. And Every little thing went blank once again.

And when the time came, he stood there waiting. He realised that the answer has don't been genuine. He realised that the query is the answer itself.

Thursday, 8 October 2015

The Power of Observation in Creative Writing

Creativity is not just around waxing eloquent around the beauty of a
woodland stream or a rugged seashore. In reality, the most tough
creativity is frequently the most rewarding: becoming inventive with the daily
elements of life. That indicates becoming observant around every thing -- and I
imply every little thing -- about you.

Start off with this workout:

Sit down on in a park, the mall, Starbucks -- wherever there are a lot of
sights, smells, sounds. Use all 5 senses to take in your surroundings.
Do you hear the scraping of dry leaves or the hiss of the espresso
machine? Do you smell the richness of damp earth or the aroma of
coffee, or are you overwhelmed by the cologne of the man sitting subsequent to
you? What does the bench or chair or ground really feel like beneath you?
Take it all in. Then create!

Search for the ideal word to describe each and every single sight, smell, gesture,
feeling, sound, and everything else you can consider of. If your writing is
missing any of the 5 senses -- sight, smell, sound, touch, and even
taste -- go back and rework it.

Creativity by means of observation is a lot of work, but when you have mastered
it, your writing will be all the richer and far more rewarding for the addition.

Andrea's writing background involves characteristics, editorials, evaluations, profiles, poetry and fiction. She was the winner of the MOTA quick story contest in 2002 and received honorable mentions for fiction from Writer’s Journal magazine in 2002 and 2004. Verify out her weblog at http://creativewithwriting.blogspot.com

Wednesday, 7 October 2015

Somebody Should Have Died (1975, 545th Ordnance Company, Nuclear Site, West Germany)

(1975, 545th Ordnance Corporation, Nuclear Web-site, West Germany)

The structure was constructed to withstand a nuclear blast. About the Web page had been higher trees, sidewalks that lead to bunkers that had half dozen nuclear bombs in them (see interlude for specifics). The trees and foliage had been higher sufficient that only a modest plane a hundred feet or so, more than the Internet site may possibly see it, and it was forbidden by the German Government to let any flights more than the Web page. The young sergeant of twenty-seven, properly constructed, auburn hair, with bluish-green eyes, had just taken more than an additional sergeant's shift; he was on what was known as ENREST (Nuclear Surety, watchdogs). Every sergeant at the Internet site, who had a Best Secret clearance, was place on the ENREST roster, as was Every single officer with a Leading Secret Clearance, it was a twenty-4 hour duty, after a month, and neither that sergeant or officer was to leave the bunker location. At evening the doors have been locked and bolted, front doors, one particular to the bunker, the other to the ENREST area inside the bunker, exactly where the orders came in.

As Sergeant Chick Evens listened he may hear the evening winds more than the bunker. At the identical time he might hear a 5-ton truck bringing in a new shift of Military Police, who guarded the Internet site, twenty-4-seven. He licked his lips, to moisten them, it was a very hot evening, he took off his shirt, only his undershirt on, the fat captain, lay snoring on his iron cot on a single side of the area, as he sat on his iron cot, on the other side of the area. The area was twelve feet by twelve feet. The young captain was called Horace Worme. The sergeant had observed his file, and his college transcripts, due to the fact he was the NCO, in charge of the Nuclear Surety System Investigations, and normally wondered how a captain may possibly come to be a captain, with 90% of his semester grades "D". I imply he had a lot more "D" grades than something he had ever recognized, not 1 A, or B, a couple of C's. He had gone to college himself and had a Bachelors Degree, and had gotten a single D, and that that was fault-locating.

Evens watched the fat Captain, there was no 1 else to watch, heavily breathing, sweating, and the wind just kept swirling more than the structure, as his perspiration soaked into the mattress. Then he got up and paced the floor, he never ever liked ENREST. He had told the Captain one particular of them had to keep up, watch the phones, the incoming information, study the printouts incase there was an alert. It was a 2 man handle course of action, but only a single have to have be up at a time through the evening hours, but he as well knew this captain never ever liked pulling duty, he left the sergeants remain up all evening although he slept it away, but Evens stated no to this crap, he was going to do his duty, just like him.

He attempted to wake the captain up at two:00 a.m., for him to take more than the evening shift, his time was up, but the captain would not wake up. Matter of truth, the Captain stated, "Leave me alone, that is an order sergeant!" And so the Sergeant laid face down on the cot, his chin on the pillow, his arms, stretched out.

"It really is foolish," he stated out loud hoping the Captain would hear "you can not count on me to take your shift too, and study the information appropriately," messages came in from what was regarded as The European Central Command all the time. And it had to be translated, it was in code, and one particular man had to break open a white seal, once reading the message, and carrying out the decoding, the other man checked it out, and they would stick to course of action. If it was a red seal, then it was for an alert, higher priority, and then it would go to a second seal if needed. A white seal was significantly less difficult. But typically a white seal lead to a red seal, and that meant war; and the Cold War of course was with the Russians. Their premise was, if it went to the red seal, the nuclear stomachs (nuclear cylinders)-so I known as them-of the bombs vital to be sunk underground.

(Interlude: It really is challenging to express the makeup of a nuclear bomb and its destructive capacity in a uncomplicated paragraph, and I have observed the insides of them, but permit me express it in the most basic, if not, oversimplified manner: there are 2 components to the nuclear bomb I'm speaking Around, some have 3 components, the secondary part of the nuclear bomb-Around a half dozen of them have been stored at the Website, this is the part I saw, of a cylinder kind style. These bombs had been 9 to 50-megatons-plus, some had been Titan II (ICBM), the Titan fleet was retired in 1988; the fireball of 1 of These Titan missiles, have been 3-miles in diameter, its destructive forces would most most likely destroy all structures in a ten-mile variety, or 3-hundred square miles. A single kiloton is equal to 1000-tons of TNT, kilotons are measured in thousands of tons; Hiroshima witnessed a 15-kiloton bomb; named 'Modest Boy,' and Nagasaki witnessed a 20-kiloton nuclear bomb known as 'Fat boy'-thereabouts; whereas, megatons are measured by millions of tons of TNT. The secondary part of the bomb is the bottom part; the principal is at the Leading. I require not say extra for this story.)

After the young sergeant woke, it was nevertheless dark outdoors; he heard an incoming message on the machine, printing out for him to study and decode. He stood up, walked more than to the desk exactly where the machine was spitting out paper, and a message was becoming printed out, coming, he went to wake the Captain up, told him, "You got to decode the message, along with me. Or at least study it once I decode it."

"No, you decode it", he stated, "I am tired."

He began to decode the message, and fell back to sleep, without having reading it clearly. As was the Captain's job; a single seeking more than the shoulder of the other.

It was now six:15 a.m., and the phone rang. The sergeant passed it more than the Horace, saying "The Best, desires to speak to you for some explanation."

He stood to the side of the phone, half in a daze, the phone heavy in his suitable hand, "Yes sir," mentioned the Captain, "what's it?"

Captain Worme, drew back like a double bolt of lightening, grabbed the decoded message, "Did not you decode this last evening," he yelled, to the sergeant.

"Of course I did," mentioned the Sergeant, the decoded part is ideal exactly where the message you just picked up was.

"Hello," stated the Captain, to the Prime, "The Sergeant mentioned he did decode the message."

"Properly Did not you study it?" yelled the Top rated so loud, the Sergeant could possibly hear him.

"Yaaay! No, I guess I Did not, why?" stated the Captain.

"Due to the fact," stated the Prime, "we are the only nuclear Web page; no, matter of truth, we are the only Web-site in all of Europe not on alert, and the Colonel desires to know why our gates are wide open, as if It really is a normal day. I want to see you in an hour and study that damn coded message and get back with me in 5 minutes."

"So sergeant," Captain Worme mentioned to Evens, and began to study the decoded message, "it appears like you decoded it nicely, why Did not you wake me up and call an alert?"

"I did wake you up, and you gave me an order to leave you alone, as soon as I told you, you required to evaluation the decoded message, as It's supposed to be, and you had been insistent, and I was tired, and fell to sleep."

"It was stupid not to act upon the message!"

"Ayee! Be cautious captain. I did my duty, and you Did not pull any duty at all, that can be referred to as duty."

Once the Captain had come out of the Top rated's office, he stopped Sergeant Evens, "So what is going on?" asked the sergeant.

"I am sorry to inform you, I feel they will be some charges against you possibly a court-martial; too many factors to cover up." Now the sergeant knew how he got previous These "D's" of his in college, he was a conniver.

"Nicely," stated the sergeant, "if I go down, so do you! Evidently they never know my part of the story; I will need to make a report sooner or later and inform them. Did they know it was you who gave me a Direct Order, to leave you sleep?" (And the sergeant knew, a Direct Order, from a commissioned officer, ought to not be in conflict with established law, and it was.)

"I am not sure," he mentioned.

"What's there to be sure of, you told them or you Did not, and I guess you Did not."

"I much better go back there, and settle this prior to it goes out of handle." It was funny believed the Sergeant, he Did not blink an eye, and he ought to were testing the water to see if he'd take the blame.

"It really is very very good, if you do, I will just stand here awhile."

Once the Captain had come back, all was settled.

"We are all soldiers," mentioned the Captain, "the thing to do is just overlook nowadays ever occurred, and never say a word to everyone Around this sergeant, okay? If you permit this leak out, we're all dead. We had been with an attack, alert, the Red Brigade, some anti German group has attempted to storm 1 of our nuclear web pages, and an alert was referred to as considering the fact that of that, and we screwed up. Had they come here to our Internet site, God only knows what would have occurred. The gates had been wide open, and they may have taken hostages."

"Yes," mentioned the Sergeant (searching more than at the gates now closed and safe),standing to his ideal side. "I in no way heard of it."

"Heard of what?" stated the Captain. Again the sergeant considered all These 'D's' the captain had gotten.

"No one particular will ever hear of it, that is what!" Stated the Sergeant, then he believed: '...a person could have died considering the fact that of our overlook-' and he just wanted to get away from there.

Note: The 545th Ordnance Business was activated in 1942. In 1950, it was activated in Japan, and in 1959 it was active in West Germany, by Muenster-Dieburg; inactivated in June, 1992; region provided back to Germany, in 1994. No: 715 1-24-2011)

See Dennis' net Web site: http://dennissiluk.tripod.com

Monday, 5 October 2015

Think Before You Act

On a summer day, it was very hot. The temperature was more than ninety eight degrees Fahrenheit. I went to a beach party in Port-au-Prince. The beach was full of people, trees, and rocks. It was amazing and awesome. At the beach, I saw a young lady. I approached her. "What is your name?" I asked her.

She said, "My name is Mary."

Her voice was so amazing and beautiful. I presumably felt that it was the first time that I heard a beautiful voice like that. Her eyes were green. Her hair was dark, and the color of her skin was red. She was very tall and sexy.

Mary and I continued to talk to each other. We got to know each other a little bit, we exchange phone numbers, and we became friends. While we were talking to each other, we saw a black man. He was very tall and big. Mary pointed her finger at him. "His name is Jean," said Mary. "He is one of my best friends." She called him. She introduced him to me. I talked to him, exchanging phone numbers with him, and I became friends with him too.

It was getting dark. Mary, Jean, and I left the beach. While we were walking on the street, we continued to talk to each other. When we arrived at Rue de Champ-de-Mars, we said goodbye to each other. And we diverged.

When I arrived home, I laid down on my bed. I could feel within my heart that I got convinced that Mary seemed to be the kind of girl whom I had been looking for, but a part of me said no. I kept thinking about how I could better the relationship between me and Mary. After a couple of hours, I fell asleep.

The next day had come. I called Mary because I wanted to get to know her better. She told me that she was sixteen. She would be in eleventh grade. She planned to study medicine after she graduated high school. When I asked her, did she have a boyfriend? She responded, "No." She said that Raymond Pierre, her father, died in a car accident. He died when she was seven. She was raised by a single mother named Malucia Pierre. She went on to say that her mother was thirty-eight-years-old. She was a nurse. She had also studied finance at the Universite d'Etat d'Haiti.

She also told me that she did not have any sister or brother, but she had a niece named Jenny. Jenny, Mary mother's son's baby, was eleven-years-old, and she was in her last year in elementary school. Both her father and her mother died since she was three-years-old. They died in a motorcycle accident in Gonaives. Mary said that Jenny was raised by her mother, and they grew up together. As a result, she considered Jenny as her sister.

She went on to tell me that she liked and used to go to a field trip every year or every Valentine's Day. It always took place at a garden named the Garden of Paradise. This garden was where she and Jean met. She used to go there with her mother, and they used to sit by a statue, having great conversations about their personal experiences and problems or about their personal lives. The statue was one of a man named Jean Jacques Dessalines hugging with his wife named Marie-Claire Heureuse Félicité. "Last year, my niece went to the field trip with my mother and me," she said. "We had a great time together. My mother was so excited. However, we used to feel so lonely because we didn't have any intimate companionship or partner with us while almost all people in the field trip had their intimate partners with them; as a result, I used to feel that I was in need of a partner as my mother every time I went to the field trip."

I told Mary that I was seventeen. I would be a senior at Lycee Fabre Gefrard High School, and I planned to go to college to study accounting and business administration after I graduated. I did not have a girlfriend. I told her that my father also died. Renel Paulynice, my father, died of a heart attack since I was three-years- old. I was raised by a single mother. My mother was named Esperantha Aimable. She was forty-one-years-old. She was a math teacher at La Belle Souers Des Unis College. She had studied mathematics and education at the Universite D'etat D'Haiti.

"I don't have any sister or brother," I also told her.

I called Jean after a couple of days. He told me that he had already graduated high school. He was twenty-years-old. He currently studied biology at the University d'Etat d'Haiti. When I asked him to tell me a little bit about Mary, he responded that Mary was absolutely great. She was smart. She was in the top five percent of her class. She had a good reputation in high school for being respectful to everyone. "She is my best friend," he said.

For all my life, I had been everywhere looking for a smart and respectful girl, a girl who had a great vision as I did, but I could not find her. However, after Jean told me how Mary was smart and respectful, I realized that Mary was absolutely the kind of girl whom I had been looking for.

The relationship between me and Mary started getting better, but I wasn't brave. We called each other every day. Every weekend, we went to cinema, dinner, theater, museum, concert, or basketball game together. There were times that we spent times in a park called National History Park, which consisted of the Sans-Souci Palace, the Citadelle Laferrière, and the buildings of Ramiers, talking to each other about what we wanted to do with our lives or what type of person that we would like to date. Fortunately, our points of views were similar in many ways, and Mary seemed to have the majority of the qualities that I really wanted from a girl based on what she told me when we shared ideas together. Every time I was with her, I could feel that my heart was beating rapidly. It was hard for me to look at her deeply in her eyes. I could feel profoundly that there were some transformations that effectuated inside of me that I was incapable of describing, but telling her how I felt was my biggest weakness or problem. The most painful or the weakest thing that I could ever experience in my life was that I did not have enough bravery to let her know how I felt.

There were times that we went out with Jean. When we asked him about what type of girl that he liked to date, he used to respond comically, "I would like to date a very big fat tall lady like me." However, the most interesting part was that Jean wanted to date an educated girl, a girl who had a great vision as he did. Desperately, Jean always said that he thought that he would never find a girl who really liked him because most of his classmates kept calling him "big fat ugly tall man". In addition to that, he had been rejected by every girl that he talked to; as a result, he became afraid of expressing his feeling to any girl that he liked. We always said to Jean as a way of encouraging him, "Everyone was made to be loved by someone. But finding this person is not easy. It requires a lot of time, hope, or patience." He used to laugh out loudly every time we said that to him as he had the hope that he would find someone who loved him. Mary and I used to laugh out loudly too.

I used to talk to an old man named Jacques Pierre. Jacques Pierre, my neighbor, was seventy-years-old. He was the father or grandfather of more than thirty children. He was very short and had long white beard and white hair. He respected me as I was an old man like him because I really respected him, and I was known by everyone as a respectful young man. He considered me as his son. We used to joke, talking to each other about our personal experiences. Jacques was known by everyone as an experienced advisor because he liked to advise other people or told them about what he went through in life and what lessons that he learned from them so that others could also learn from them to avoid similar things that may happen to them in the future. One day, I called him and told him that I had a problem. I wanted his help.

"It is okay my son," he responded. "What do you need my advice about?"

I responded, "About relationship."

He said, "Okay."

"Are you home?" I asked him.

He said, "Yes."

"I am coming to see you," I responded to him.

He said, "I am waiting for you."

I walked quickly. When I arrived, I knocked on the door of Pierre's room. He opened
the door and said to me, "Hey son, how are you doing?"

"I am doing okay," I responded to him as I entered in his room.

Pierre's room was very large and long. It had two fans. One of the fans was in front of Pierre's bed, and the other one was in front of his radio. His room had only one radio and one TV. The radio was playing a love song titled "When you love someone" by Bryan Adams. The television was on the table and was playing a love movie titled Romeo and Juliet. The table had a lot of books and journal papers that Pierre liked to read. He learned a lot of life lessons from reading those books, and he liked to share those lessons with other people. The floor of his room was covered with a blue carpet, and the wall was painting with a beautiful blue paint. His bed was also covered with a blue blanket and had a white pillow on it. Beside the bed, there was a black chair.

"You can sit on this chair my son," Pierre said to me happily.

"Thank you Mr. Pierre," I responded to him as I grabbed the chair to place it somewhere that was more appropriate so that I could sit on it.

"What do you need my advice about?" he asked me.

I told Jacques Pierre, "there is a girl whom I really like, but I don't know how to approach her. I am afraid to tell her how I feel. I am afraid of rejection. The feeling starts getting stronger,
and I can't handle it. I don't know what to do."

"My son, when I was in your age, I used to be like that," he responded to me, "and I really know what you're talking about. This is my advice to you my son. It is better to tell someone how you feel instead of dying with a feeling in your heart because you never know how the other person feels. If you don't tell her how you feel, how will she know that you like her? Act like a man. It is your job. Be fearless. Don't be afraid of rejection. Tell her how you feel. The longer you hide this feeling secretly to yourself is the stronger that it becomes."

I responded to him, "Thank you so much daddy. I will."

I shook Jacques's hand, hugged him, and said goodbye to him.

He responded, "Bye."

When I arrived home, I lay down on my bed and took a deep breath. I said to myself, "It is better to tell someone how you feel instead of dying with a feeling in your heart because you never know how the other person feels. If you don't tell her how you feel, how will she know that you like her? "After a couple of seconds, I realized something, and I learned from it. I learned from what Jacques Pierre told me. I realized that I should tell Mary how I felt.

One day, I felt that I had a certain bravery, a bravery that I could not have before, the bravery to tell Mary how I felt about her. I made a decision. I made the decision to call Mary to tell her how I cared and felt about her. I called her. I told her how I cared and felt about her.

"I can't believe what you are saying," she said on the phone. "You can say what you really want to say."

"If I had to say what I really want to say," I responded, "I would say that I love you."

She sang on the phone. The way she sang made me realize that she was not really interested. I said goodbye to her. I hanged off the phone.

I called Jean, telling him that I had been calling Mary.

He said, "I have been calling her today too."

"That is great," I replied.

"I am doing something right now," he said, "so I am going to call you tonight."

"Okay," I responded to him.

The relationship between me and Mary did not fall apart even though she acted like she was not really interested in me. Every day, I called her, telling her how I loved her. She always said that she wasn't ready to be in a relationship. However, that did not stop me from continuing to tell her that I was ready to spend the rest of my life with her or that she was the only one that my heart and my soul wanted.

I always called Jean, my friend. And I always told him that I loved Mary. He used to tell me that Mary told him that she was not interested in me. Every time he said that to me, I felt so sad. However, I never felt so disheartened because there were other people who used to tell me that Mary told them that she loved me.

One day, I sat somewhere quietly, and I pondered how I could use some persuasive statements to write a letter to Mary in order to convince her. After a couple of minutes, I took a piece of paper and a pen. I started writing a letter. Fortunately, a lot of romantic and persuasive thoughts came to my mind, and it took me four hours to write this letter. While I was almost finishing writing the letter, I saw Mary walking on the street. I felt so happy. I quickly wrote the rest of the letter. I gave her the letter. She took it. She smiled at me, and I smiled at her too.

I said, "Thank you."

"You welcome," she said.

After two months, Mary wrote a letter to me. She mentioned in her letter that she did not love me. She wanted me to leave her alone. She went on to say that she wanted me to stop calling her.

After I read that letter, I was so stressed and pessimistic. I could not sleep. I could not study or do my homework. There were times that I talked to my mother, to Jean, and to other people, and I used to tell them that I would kill myself one day. Unfortunately, none of them knew what I meant when I said that. They always asked me if I was crazy. I always told them that I would do that for a reason. Unfortunately, they never took time to talk to me in order to advice me because most of them thought that I was playing.

One day, I felt so sad and uncomfortable. I called Jean. Unfortunately, Jean did not answer the phone. I tried to sleep, but I could not sleep. I tried to eat, but I could not eat. I tried to watch TV in order to entertain myself or to ease my pain, but nothing worked. I did not know what to do. I asked myself, "What should I do?" After a couple of minutes, "I don't know what to do," I said. "I am going to kill myself."

I walked silently in my room after a couple of seconds. My room contained a lot of things, and it was very large and long. The floor was covered with a black carpet. It had one door. On the right side of my room, there were two televisions, three radios, one refrigerator, four mirrors, and one table. On the left side of my room, there were two fans and one computer. My bed was in the middle of my room. In front of my bed, there was a bottle of arsenic used to kill rats. I took it, and I was tempted to drink it. While I was trying to put the bottle of arsenic in my mouth, my mother asked, "What are you doing?"

I furiously threw away the bottle of arsenic. I put my head down and said nothing to my mother.

My mother felt so confused. She asked, "What's wrong?"

"I don't know," I said.

"Are you crazy?" she questioned.

I answered, "No."

"Why did you try to drink the poison?" she asked.

"I thought that it was a beer," I said. "I did not know if it was a poison."

My mother said, "You are crazy."

I said nothing. She took the bottle of arsenic, and she put it in the garbage can.

After a couple of minutes, I told my mother the truth. I told her why I had tried to drink the arsenic.

She looked at me desperately. "How do you think that you are not crazy," she asked, "when you almost killed yourself, especially over something trivial like that?"

"Sometimes we do some crazy stuff when we love someone," I responded to my mother as I was crying, "but that doesn't mean that we are crazy. Love simply makes us blind, and we are unable to follow what we want. However, our hearts and our souls choose to follow what they want while our bodies are unable to resist or to control this feeling. Sometimes, even though the one that our hearts and our souls want hurts us, we still can't stay away from that person because our hearts and our souls don't give us the chance to do that, and our hearts and our souls say yes even though sometimes our mouths say no. The heart is what we need to survive. We are obligated to please it. The soul directs the body to where it wants it. There's nothing we can do."

I looked at my mother, and I could see in my mother's face a face of despair. She was more desperate after she heard that expression. Her eyes were watering as she could not believe that her only son had almost died.

"Sit down," she said to me with a voice full of pain. "I want to talk to you."

"Okay," I replied.

"Don't do something like that anymore," she said. " If you continue to believe in what you say, one day, you are going to kill yourself for trivial reason. Killing yourself for a girl whom you love is not what's going to make you have that girl. No one is worth your life. You should always make sure that you control your feeling. You have to love people who love you and learn to move on from those who don't. You have to sacrifice yourself for people who are ready to sacrifice themselves for you. You have to think before you do certain things in life. Remember that for the rest of your life."

I responded, " Okay."

I hugged my mother while I was crying as a way of saying sorry to her, and I said thank you to her for her advice.

"You welcome," she replied. " It's an obligation. It's my job to give you the best advice that I can."

"Okay," I responded to her.

"Let the bird go and fly because you love the bird," she said to me as a way of strengthening or consoling me while I was enveloping in her arms. "If the bird comes back or thinks about you or you have the chance to have that bird after you let it go and fly, it is because the bird loves you or you and the bird were destined to be together. If it is the contrary, it is because it wasn't meant to be."

"Okay," I said.

"Do you understand what I say?" she asked.

"Yea," I responded to her.

After my mother left my room, "Thank you Jesus," I said. "I almost killed myself." I laid down on my bed. I closed my eyes, and I thought about how I almost died. After a couple of minutes, I realized something, and I learned from it. I learned from what my mother told me. I realized that I should not tempt to kill myself for Mary.

After a couple of minutes, I called Jean. I told him that I had almost died.

"What's wrong?" he asked me.

I replied, "Nothing."

"Are you okay?" he interrogated me.

"I am good," I said. "If that did not happen, my mother would never teach me a lesson, and I would never learn from it."

He questioned, "Do you want to go on a field trip?"

"I want to go," I responded. "What date is the field trip?"

"The field trip is next month," he said. "I will pick you up."

I said, "Okay."

He replied, "Bye."

"Bye," I said.

I hanged off the phone and turned off the light in my room.

I said to my mother, "Good night."

She said, "You are a crazy boy."

"I am not a crazy boy," I responded.

She said, "Good night."

I replied, "Okay."

After a couple of days, I continued to learn from what my mother told me. I never called Mary. When I saw her, I acted like I did not see her. I never talked to her anymore.

On a Saturday morning, Jean, my friend, came to pick me up.

I asked him, "Where the field Trip is going to take place?"

"In a garden," he said.

I replied, "Let's go."

Quickly, we walked on the road. When we arrived, we sat in front of a table containing a lot of food and beer. We were talking to each other about our personal experiences and problems. Beside us, there were other people who were talking too, and we could not hear anything they said. In the back of us, there were two statues. Also, there were two men who played with a snake. In front of us, there were some children who sat in front of a river, and they played with their pets and other creatures that they found in the river. That place was peaceful. Jean and I could only hear the song of the birds singing their sweet melodies while we were talking. Also, it was exquisite and unbelievable. It contained a lot of flowers, trees, mountains, rivers, and animals. This place was known as Le Jardin de Paradis, which was situated in Port-au-Prince, Haiti. While Jean and I were talking to each other, he asked me, "How is Mary?"

I said, "I don't know."

"How you don't know?" he replied.

"Mary is not in my mind anymore," I said. "It's been two weeks since I saw her."

He responded, "That is not amazing."

After a couple of minutes, we sat quietly and looked at attentively the men who played with the snake and the children who sat in front of the river that contained a lot of animals. It was an amazing day. Many people took pleasure from hearing the sweet melodies of the birds in the garden. After a while, we went to sit in front of the river where the children played.

"You know that Mary loves you," said one of the children, a little girl.

I said, "You are playing with me."

"I am not playing with you," she replied.

Jean said, "That sounds amazing and interesting."

"Of course, it is," I responded to him.

"What is your name?" I asked the little girl.

She said, "My name is Jenny."

"How do you know that she loves me?" I asked Jenny.

She replied, "She told my grandmother and me that."

"Are you her niece?" I asked her.

She responded, " Yes, I am her niece."

"How do you know that I am the one that she used to talk to you and your grandmother about," I questioned her again.

She responded, "Sometimes, when you walked down the street, she used to point her finger at you and said to me ' This is Roldens Paulynice, the man whom I used to talk to you and my mother about. I love him. But I don't want to tell him that right now '. I used to laugh out loudly."

I said, "Okay."

"If you want to know if that is true," said Jenny, "go talk to her. She is in front of that statue."

I hugged Jenny. I gave her ten dollars, and I said thank you to her.

"I am going to ask Mary if she loves you," Jean, my friend, said.

"We should go together," I replied.

Jean and I went to sit in front of the statue where Jenny told us to go; unfortunately, we did not see Mary.

The statue was of a young man and a young lady hugging and kissing together. They were nude. Everyone could see everything on their bodies, but it was hard to see their breasts and their private parts because they were hugging too tightly. The man was pretty tall, and the lady was pretty short. Her hair was long. The statue was in the middle of a water jet. We took pleasure from playing with the water that came out in the water jet. In front of the statue, there was a white board. When I looked at the board, I saw La Saint Valentin, fête de l'amour, which was the name of the statue, written with a blue paint on the board.

While Jean and I were talking to each other, we heard Mary talking to her mother, but we did not know where she was exactly.

After a couple of seconds, we remained quietly and listened attentively to what they said.

"You know that I love Roldens," Mary said to her mother. "I am going to tell him how I feel."

Her mother replied, "Don't do that right now."

"I am going to say that to him," she said to her mother again. "My feeling for him starts getting stronger."

"I am going to say that to you again," her mother said. "In order for you to know if a guy really loves you, you have to take some time to carefully analyze him."

"I have been analyzing him for one year and a half," she said to her mother. "Right now, I should give him my heart."

"Don't do that right now," replied her mother. "Continue to analyze him."

"I am going to continue to analyze him," she responded.

"Jenny didn't lie," I said to Jean. "It's true that Mary loves me."

"That is true," he replied.

I said, "Let's go."

While Jean and I were walking in the garden, we saw Mary and her mother. They talked to each other about me, but they did not see me.

"I can't wait to give Roldens my heart," Mary said to her mother. "I love him."

Her mother said, "You have to take some time... "

As I stepped in, "Are you serious?" I curiously and suddenly asked Mary as I interrupted her conversation with her mother. "Why you never tell me how you feel?"

Mary put her head down and said nothing.

"Please talk to me," I said to Mary.

"I love you Roldens," replied Mary.

"Why you did not tell me that?" I said. "You should tell me that when you wrote the letter to me instead of telling me something that almost made me commit suicide. Your letter caused me so much pain."

"I did not tell you that," she replied as she was crying, "because I was trying to analyze you. I just wanted to know if you really loved me."

"Love is what the heart feels," I responded to her. "Once you love somebody who loves you, you have to let your heart decide. Do what your heart wants you to do. That's why my heart convinces me deep down inside that I am in love with you. Don't ever force yourself to do something that your heart doesn't really mean, especially hiding your feeling for someone whom you really love. The longer you hide your feeling for someone is the longer that you make your heart suffer or the stronger that this feeling becomes. I love you so much Mary, and I am ready to do whatever it takes to fight for our love. I am ready to show you what love is all about."

She closed her eyes. She thought about something. After a couple of minutes, she hugged me and kissed me. She said nothing, but she cried while she was kissing me.

Jean said desperately, " I hope that I will find my girl one day." But he smiled suspiciously, and he looked at Mary and me attentively.

After a couple of hours, Jean told me that Mary used to tell him everything, but he could not tell me the truth because Mary did not want him to tell me that.

Roldens Paulynice was born in December 24 1990 in Gonaives, Haity. He has published many short stories and essays, especially about relationship or love, literature review, education, and politics. Think Before You Act and What Causes Many College Students to Fail or Drop out are two of his works that he likes the most. Fortunately, in February 2009, he had the chance to come to the United States, attended Glade Central High School, and graduated in may 2010 with a 3.08 GPA. In may 8, 2012, he graduated from Palm Beach State College with an Associate in Arts Degree. Right now, he is attending Florida Atlantic University, pursuing his BS in accounting and business administration. In the near future, he wants to become a CPA. Being a writer is something that he has a certain zeal to become in his life, but right now, he is trying, hoping to become a famous one one day. He is the author of Teenage Marriages Are Likely to End Unhappily, Think Before You Act, What Causes Many College Students to Fail or Dropout, Many People Get Married for Foolish Reasons, An Essay about the Tell-Tale-Heart and The Black Cat, and many other works.